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A 45-minute MRI inside of what felt like a 110 degree microwave oven, and an examination by the guy who does Tommy John surgery on Red Sox pitchers, and it has been confirmed that I ruptured my bicep tendon on Dec. 30; the muscle was ripped off of the bone in my forearm by my messing up a move in the gym called “toes-to-bar” and now needs to be surgically reattached as soon as possible before the tendon retracts too far up inside of my upper arm.

This is what happens when 53-year old men try to do things meant for 23-year old men. It happens to 3 out of 100,000 people, mostly men who lift weights in their 50s or 60s, and has an elevated risk for smokers (which I am not) or anabolic steroid abusers (which I am also not). There is some suspicion that anti-cholesterol statins may also play a role in weakening the tendon, but I have ceased taking those in a three month experiment to see if I can hold my HDL/LDL levels where they are today with a strict paleo diet.

Yes, I am depressed that this happened right on the eve of the annual indoor rowing season. No Cape Cod Cranberry Crunch at the end of January, no CRASH-B sprints in February. I’m looking at four months of rehab and another five months of work before I can return to 100%. The good news is I will return to 100%. Eventually.

Fortunately for me, there is a great online forum of distal bicep tendon rupture survivors with a lot of amassed wisdom on how to cope with the procedure and ensuing rehab.  And I am also lucky not to make my living through manual labor, but I won’t be able to drive while in a splint/sling and I am going to have to adapt to life with one arm, my non-dominant one at that.

I anticipation of being out of commission, I’ve installed Dragon Naturally Speaking on my ThinkPad to allow me to use the PC and continue “writing” with my voice. I’ve never had much luck with voice recognition software in the past, mostly because I haven’t been willing to put in the time to adequately train the system, and because I am such a fast typist. Blogging will either be drastically reduced for a month, move to Vlogging (I don’t like cameras), or be voice driven. We’ll see next week following Tuesday’s surgery.

Thanks to YouTube I can watch some orthopedic surgeons narrate examples of the procedure. I’m not squeamish, but it looks like pretty delicate and major surgery involving two incisions on my forearm and the back of the elbow.  The severed tendon is cleaned up and then anchored into some pins drilled into the forearm. The bone grows back, the tendon is re-anchored, and I’ll be doing heavy deadlifts by summertime.

With five days remaining I need to figure out how to clothe myself, put away enough meals in tupperware to sustain me until the splint is removed seven-days post-op, and clear my decks for the nasty, pain killer filled fog  that always follows surgery. My iPad and Kindle will be key to fighting off insanity. I’m already putting together a training plan to keep me in semi-shape during the recovery — lots of air squats, box jumps, sit-ups, and one-armed work for my good arm — but was advised by the surgeon that I would not be running or lifting much of anything for a while.

Nick Bilton blogged at the New York Times yesterday about the experience of trying to photograph a San Francisco sunset with his iPhone and realizing that he had squandered a sublime experience trying to capture that it by messing with filters and settings and watching the dramatic fireball through a 3.5 inch screen.

On Sunday morning, the first day of 2012,  I woke to this front page:

Look closely at the photograph across the middle four columns: a mob of New Year’s Eve revelers experiencing the ultimate NYE experience — the drop of the ball in Times Square — and how are they seeing it?

Through their screens, like little computerized periscopes our grandparents used to see over crowds at parades, everyone “capturing” the moment and then selecting “share” to send it to FourSquare, Twitter, Tumblr, Instagram, Flickr, Google +  and on and on. I’m happy for them. Everyone is smiling and having a great time.

But it’s gone too far.

In 1988 I wrote my first cover story for Forbes Magazine on the topic of information overload. In the course of researching that piece I came across the work of the MIT professor, Ithiel de Sola Pool (the man who coined the term “convergence”). He tracked the growth of information over time — the massive explosion of media brought about by what the critic Walter Benjamin called “Age of Mechanical Reproduction.”  The net impact of this is, to quote Wikipedia, that “the modern means of production have destroyed the authority of art: for the first time ever, images of art have become ephemeral, ubiquitous, insubstantial, available, valueless, free.”

Edward O. Wilson, the renowned Harvard professor of biology, wrote in Consilience: The Unity of Knowledge that a man of letters in the late 18th century — the age of Franklin, Jefferson, Priestly — could reasonably consume most of the published information in any given year across all fields. It was expected that an intellectual in the 1700s would not only be familiar with the classics, but would also have an interest in the sciences. The result was an amazing consilience of knowledge, with the concept of a “renaissance man” exemplified by the leaders of the era. Today? We’ve fractured into specialists and all we hold in common is some familiarity with the latest pop star, blockbuster movie/tv show, or world news event.

To state that there is more information available today  than could ever be consumed is trite and obvious. Just stating the fact is existentially depressing as I’m engaged in the very act that I’m bitching about.  I’m referring to so-called authoritative information produced by experts, not my nephew and neighbor who suddenly have, in theory, the same means of production that the Sulzbergers had to themselves 100 years ago when the New York Times was truly dominant.

I found an amazing list on time management, by Dr. Donald Wetmore (I guess the “Dr.” means he’s an authority. It’s an interesting and depressing list. Here’s some highlights:

1. The average working person spends less than 2 minutes per day in meaningful communication with their spouse or “significant other”.
2. The average working person spends less than 30 seconds a day in meaningful communication with their children.
3. The average person gets 1 interruption every 8 minutes, or approximately 7 an hour, or 50-60 per day. The average interruption takes 5 minutes, totaling about 4 hours or 50% of the average workday. 80% of those interruptions are typically rated as “little value” or “no value” creating approximately 3 hours of wasted time per day.
4. 95% of the books in this country are purchased by 5% of the population. 95% of self-improvement books, audio tapes, and video tapes purchased are not used.
5. The average worker sends and receives 190 messages per day.
6. The average American watches 28 hours of television per week.
7. 78% of workers in America wish they had more time to “smell the roses”.
8. 49% of workers in America complain that they are on a treadmill.

Hence one of the more popular memes in contemporary life is “lifehacking” or the art of “getting things done.” I won’t point to the obvious manifestations, but check out David Allen’s “Getting Things Done” or the excellent Lifehacker.com for examples.

Being early January, it is resolution time.  I sense the rising meme in resolutions isn’t quitting smoking or losing weight (although the new mob at my CrossFit gym would suggest the new year is indeed a cliche in terms of gym memberships), but in “Information Diets.”

I’m getting on the Information Diet bandwagon. My life of screens — this laptop, my iPad, the television, the Android phone — is driving me closer to a state of attention deficit disorder than any prescription for Adderall or Ritalin could ever cure.

It’s time to become a Stoic again and starting doing more with less. Time to cowboy up, spit on my palms, and get tough.

For the past year I’ve been engaged in a physical transformation through two “primal” committments. The first was adopting a so-called “paleo diet” in the fall of 2010  following the embarrassing mime attack outside of the Duomo in Florence. I weighed 280 pounds, felt like shit, none of my clothes fit, and I was beset with aches, pains, and prescriptions.

I read some stuff by Robb Wolf, Mark Sisson, and Loren Cordain and came away convinced by their theory of dieting that basically agreed with the controversial hypothesis that my body is the result of 2 million years of evolution, yet my diet is the result of 10,000 years of modern agriculture. Too much processed food, grains, dairy, sugar, etc. and I was going to get fat no matter how hard I exercised.  In a year of totally going organic, cutting out all grains (no bread, no pasta, no rice), legumes (no beans), dairy (no cheese, no butter), and sugar I lost 35 pounds without “dieting” in the sense of going hungry. I basically exist on chicken, fish, beef, broccoli, tomatoes, lettuce and good fat like nuts, avocados and olive oil.  I eat, in essence, like a caveman.

With nutrition follows exercise and I renewed my commitment to CrossFit, the “open-source” school of functional movement and exercise that was started by gymnast Greg Glassman in Santa Cruz in the early 2000s.  As the t-shirt says, I am the only machine at my gym (except for the ergometer). I do short, intense burst of work lifting up heavy things and putting them down again, and lifting my own weight through sit ups, push ups, pull ups, rope climbs, handstand push ups, box jumps …. etc. The Crossfit method is, in 150 words:

“Eat meat and vegetables, nuts and seeds, some fruit, little starch and no sugar. Keep intake to levels that will support exercise but not body fat. Practice and train major lifts: Deadlift, clean, squat, presses, clean & jerk, and snatch. Similarly, master the basics of gymnastics: pull-ups, dips, rope climb, push-ups, sit-ups, presses to handstand, pirouetts, flips, splits, and holds. Bike, run, swim, row, etc, hard and fast. Five or six days per week mix these elements in as many combinations and patterns as creativity will allow. Routine is the enemy. Keep workouts short and intense. Regularly learn and play new sports.”

Now to do the same for my mind.

I talked to a former colleague this morning about attention deficit disorders and he said he manages his through a combination of prayer and exercise.  Since he is a man of faith, I can see how prayer fits in his life, but for atheistic me, where is that period of nothingness in my thinking? When do I simply watch the sunset and don’t photograph it? Or sit in a chair and stare into a fire with only my thoughts for company?

I’m hanging some things up this year. Here’s my information diet:

1. No phone in the car. If it rings it goes to voicemail. If I must call I will pull over. I am strongly in favor of an outright ban on phone use in cars. Every moron motorist moment I’ve experienced is inevitably made by an oblivious idiot with a phone held to their head.
2. News once a day, in the morning, over breakfast. From the New York Times, Wall Street Journal and Cape Cod Times.
3. One hour of moving pictures per day. That includes YouTube, Netflix, network television or sports (with the exception of baseball)
4. One email check in the morning. Another in the evening. No emails longer than 100 words. Anything longer: phone call or memo.
5. Instapaper all articles and read them in one sitting at one prescribed session. No aimless “surfing.”
6. Two three-hour periods of focus per day.  One in the morning. One in the early afternoon. Writing and thinking. Making, not consuming.
7. Books dominate. I will make a list of 100 books I need to read before I die and start tackling it.
8. No games. I’ve outgrown them. I’ll play Words With Friends once a day, not on every notification.
9. Face to face trumps email every time. Phone call is second.
10. No PowerPoint in 2012. It is the Blackberry of our times: doomed, terrible, and pointless.
11. Learn something new in 2012. A language? A skill? I am open to suggestions.

Muzak, also known as Elevator Music, has always been a great joke. Hearing a Steely Dan tune like “Do It Again” while leafing through a six-month old issue of Field & Stream at the dentist is its own special circle of hell, especially when the mind starts getting infected and singing along silently to the bowdlerized tune (“Back, Jack, Do it Again ….”). And many a great movie has used elevator music to great comic effect. My favorite being Dawn of the Dead (yes, it’s Zombie week at Churbuck.com).

Muzak, at least the true commercial version, is supposed to have a specific effect on the listener. According to the Wikipedia:

“Elevator music is typically set to a very simple melody, so that it can be unobtrusively looped back to the beginning. In a mall or shopping center, elevator music of a specific type has been found to have a psychological effect: slower, more relaxed music tends to make people slow down and browse longer.”

Which brings me to my constant musing about the effect that background music has on certain behaviors. I’ve written in the past* about the way that certain music can improve my ergometer results while other songs effectively kill it. This isn’t your usual athletic lockeroom get-psyched cliche music.  I’m not referring to Eye of the Tiger or House of Pain’s Jump Around. That Rocky soundtrack stuff isn’t what gets my 500 meter splits down an additional two seconds. Indeed, there is some academic research that confirms that some music can improve aerobic results but I’m too lazy at the moment to hunt it down.

When I tended bar it was a given that loud music drove alcohol consumption higher.  At some point in the evening the manager would always step in back, find the big volume control, and crank it when the joint was good and buzzed. Of course the din made it impossible to hear some desperate dipsomaniac shout an order over the heads of her fellow patrons for a pina colada, a peach daiquiri and a sloe gin fizz shortly after midnight on a Saturday night when the only thing that would keep the bar out of the weeds was sloshing wine into glasses and pulling drafts out of the taps. “What?! What?!” we’d shout, handing over a napkin and a pencil with a shrug and the implied suggestion to write it down. Obviously loud music made it difficult to conduct a conversation and all that shouting of “WHAT?” led to a subtle anxiety that could only be slaked by another drink and another drink after that.

Silent restaurants are spooky. I suppose a low volume soundtrack gives one the illusion of being in a sound bubble where one’s conversation can’t be overheard by the next table.

When I was writing unpublished novels and short stories in great earnest during college, I found I could only enter that special creative zone if there was music playing. Loud music. Something about writing to rock and roll got me into a typing groove. I can read fiction with soft music in the background — jazz, etc. — but can’t concentrate on academic level stuff if there are lyrics involved — the word absorption gets mixed up.

My big revelation, and this goes to the post’s headline, is my re-discovery of the Ambient genre and how perfectly it suits a day of concentration. In the mid-70s, when I was a college student, I had two roommates with very eccentric tastes in avant garde music. I’m talking stuff by Morton Subotnick, Sun Ra, Stomu Yamashta and most memorably, Brian Eno, in particular his Ambient 1: Music for Airports. For some reason, ambient is way back on my personal playlist these days.

I think of Eno as the father of ambient music — he’s a genius at elevating background noise from elevators and waiting rooms to high art. Another godfather of ambient has to be Vangelis, particularly his soundtrack for Blade Runner:

So, it’s strange as I age that my taste is music is not the chestnuts from my youth; one more rendition of Freebird or Green Grass and High Tides Forever and I’ll lose it. What’s surprising me is how my tastes have swung to utterly obscure musicians I would never have encountered were it not for the random intelligence behind Last.fm. So, with that said, here’s some names that deserve to be checked out. This is great music to plug into in the background when you’ve got other things to do.

• Aphex Twin

• Eskmo ( a favorite video)

• Lorn

• Boards of Canada (note the YouTube comment, “The Ultimate Homework-Doing Music”)

• Carbon Based Lifeforms

• Loscil

• Stendeck

• Totakeke

• Monolake

• Robot Koch

*: My erg playlist, from 2006 pretty much is holding firm. Suggestions always welcome as “erg playlist” seems to be a top search term driving people to this blog.

1. Scum of the Earth: Rob Zombie
2. Who Was in My Room Last Night: The Butthole Surfers
3. Jesus Built my Hot Rod: Ministry
4. Ain’t my Bitch: Metallica
5. Rusty Cage: Soundgarden
6. Sex Type Thing: Stone Temple Pilots
7. New World Order: Ministry
8. Hey Man, Nice Shot: Filter
9. My Own Summer – Deftones
10. Astro-Creep: White Zombie
11. Them Bones: Alice in Chains
12. Time Bomb: Godsmack
13. Blizzards, Buzzards, Bastards: Scissorfight
14. Du Hast: Rammstein
15. God Save the Queen: Sex Pistols
16. You Think I’m Not Worth a Dollar, But I Feel Like a Millionaire, Queens of the New Stone Age
17. Jump Around: House of Pain
18. Liberate: Slipknot
19. She Sells Sanctuary: The Cult
20. California Uber Alles: The Dead Kennedys

When I was in college my girlfriends tended to dress me, and one in particular, decided that my preference for rowing shirts won off the backs of vanquished opponents, Grateful Dead concert t-shirts, and frayed collar button downs carried over from my prep school dress code days needed to be replaced with a new standard “Dave Look” based on white Brooks Brothers button downs and well faded blue Levi’s 505 classic jeans.  Brooks Brothers was different in the 1970s, still the standard bearer of the iconic American Ivy Traditional look, and because of my allegiance to all things Yale, I expanded to include a few button flap pocket J. Press shirts as that shop was the classic Dink Stover haberdasher of New Haven.

After thirty years of Brooks Brothers I finally decided enough was enough. The quality of the oxford cloth was deteriorating, everyone and their brother owned the same shirts, and button downs simply aren’t fashionable enough for someone in the digital creative world. I’ve always been accustomed to life spent in coat and tie thanks to my years in boarding school. Forbes was a good place to indulge in bow-ties and suits. But once I arrived at McKinsey at the nadir of the dot.bomb revolution I realized the older partners were lost trying to repurpose closets full of $8,000 Brioni suits into something resembling business casual. The pit of sartorial despair was Lenovo — the computer industry is the worst dressed collection of pleated Dockers, golf-shirt wearing conformists in the world. As one former colleague despaired, the look was pure Greg Norman.

One headhunter last summer gave me shit for showing up in a bowtie and said I needed to go more digitally hip. For example? I asked. Carry an iPad and dress like Bradley Cooper the guy said. I didn’t know who the hell Bradley Cooper was, but I had visions of being a tan-in-a-can douchebag in distressed fashion skinny jeans with a collarless shirt, hipster fedora, and some wasp waisted velvet blazer with a pink lining.

Feh. No thanks.

A couple years ago I sucked it up and went English, specifically Turnbull and Asser, and haven’t looked back since.  I can’t afford custom shirts — hell, Forbes.com in its annual “Living Extremely Well” index pegs a dozen bespoke T&A shirts at $4,380, a mere $365 a shirt. Me, I am content going off the rack, and being an American preppy at heart, can’t bring myself to go to french cuffs and cufflinks, so my cost per shirt is considerably less. Sure, a custom shirt would be a fantastic luxury, but I’m not living at that end of the sartorial closet where I have the right to insist on hand tailored suits from the likes of Huntsman, Thomas Mahon, or Gieves and Hawkes (someday, but not now).

One thing to be said for the Jermyn Street school of shirtings is the British don’t shy away from plumage and do a wild job with color and patterns. So, goodbye boring blue, white and pink Brooks Brothers, and hello to tattersalls, university stripes, spread collars and those nice little gussets that beef up the tails.  The shirts simply feel better and feeling good is the first step towards looking good. And thank heavens for the current office environment in Manhattan, something about working out of a mid-town townhouse behind the Museum of Modern Art demands a little more fashion effort than a Research Triangle office park.

A couple weeks ago Google’s doodle celebrated the 112th birthday of Jorge Luis Borges, the Argentinian writer who wrote such fantastical modernist works of literature as Ficciones, The Labyrinth, and The Aleph.  I was introduced to his writing in college by my roommate, who was a student of Spanish literature, and while dense and difficult, found a certain strange attraction to the stories. Borges is one of the most influential writers of the 20th century — a shame he was never awarded the Nobel prize in Literature — on an order of Nabokov, Joyce, Barthelme and other modernist authors.

In 1985, when I was a cub reporter at a daily newspaper in northeastern Massachusetts, Borges visited Philips Andover Academy — the prestigious prep school — and gave a lecture there. The city editor at the paper wanted someone to interview the blind writer, but his name drew a blank in the newsroom except for me, who became very excited at the thought of meeting such an eminence.

He was staying at the Andover Inn on the Philips Andover campus, attended to by his assistant (and later wife) Maria Kodama. A photographer from the paper accompanied me, thoroughly bored and glazed over by my breathless attempt to convey the fame and impact of the little old man and his complex surrealistic stories that prefigured hypertext.

He was old (he died the following year in Switzerland of cancer), short, and dressed impeccably in a dapper suit. He shook my hand, welcomed me to sit on the bed beside him, and asked, in a heavy accent, if I would like a cup of tea or water. The photographer’s flash popped a few times, and Borges’ face was startled by the sound of the camera shutter, a little perturbed it seemed at the thought of being photographed without warning. He didn’t cover his blindness with sunglasses, and cocked his head slightly to better hear my questions.

I knew instantly that there was nothing I could ask the man that he could answer and that I could then quote in a story of any possible interest to the 40,000 readers of the Lawrence Eagle-Tribune, most of whom were more engaged by the debate over whether the city garbage-men should continue to drag household trash barrels onto the street or if the homeowners should do it for them. It was, in a perverse way, like being in a Borges story, where the protagonist is lost in a library looking for knowledge that can’t be expressed.

We talked about his books, me expressing my fondness for specific stories, especially The Garden of Forking Paths, and his puzzling themes of labyrinths and diverging, non-linear thoughts. Keep in mind I was only three years out of  Yale, where my head had been filled with the Deconstructionist theories of Derrida by Paul de Man, J. Hillis Miller and Geoffrey Hartman.  We talked about Pynchon, Paul Theroux (who visited him and wrote about the meeting in The Old Patagonian Express) and my college writing teacher, Gordon Lish. I didn’t take any notes in my spiral reporter’s notebook. What was the use? And after 30 minutes his assistant gently interrupted to say Mr. Borges needed his rest.

I thanked him, posed for a picture of him that is probably in the Eagle-Tribune morgue somewhere, and after shaking his hand, made my goodbye.

I went to the newsroom with the photographer and wrote a brief, superficial 100 words about Borges’ visit. I regret not having brought a copy of one of his books for him to sign.

Ned, our 12-year old Skye Terrier, died today. I had to ease his suffering from liver cancer and I knew it was time when he stopped eating and the shine went out of his eyes. With his passing goes a family fixture that has been a part of our lives since the Christmas of 2000, when my daughter and I flew to Nashville to get him after our previous Skye, Harry, had died in the street under a car the month before.

Ned was named “Stormy” when we met him, named because he was born during a thunderstorm. He was eight months old at the time, a problem puppy who was bullied by his brothers and sisters and picked on by his own mother. Where Harry was a canine genius, one of the most intelligent dogs I’ve ever known, Ned was simple, a bit slow, a shy dog that gradually came out of his shell and thrived on the couch and the yard here in Cotuit that was his domain for his entire life.

He liked sharp cheddar cheese, snapped at dangled pieces of spaghetti and earned the nickname “Pasta Shark.” He slept under the stairs in what we called his Harry Potter bed. He rolled in stinky dead things because he liked the way it made him smell. He hated fireworks and thunder and banged on the bedroom door every night for sanctuary at the foot of my bed.

He hated having his butt inspected for dingle berries and would flip out into circles of animated play-rage, a behavior known as “Kawa-Kawa.” He knew few tricks, liked riding in the car with his head out the window, and was a bit of a lazy slug on beachwalks, once falling so far behind that he returned to the boat where he stood, in the shallows, paws on the gunwale, looking hopefully into the hull for some sign of us. He was a dog of many names, including: Count Dookoo, Gabba, Apartment Bear, Seal Pig, Sewer Pipe, Nedly, and others that I can’t remember now.

Ned was my daughter’s dog from the very beginning. She came to Nashville with me, 13-years old, and helped me squeeze him into a dog carrier bag because the airline wouldn’t let dogs travel in the luggage compartment. We let him out in the terminal and he immediately peed on the rug, ears huge like radar dishes, and went into his first of his crazy kawa-kawa circles.  We let him poke his head out of the bag during the flight and fell in love with him then and there.

Skye Terriers are a rare breed, one of the least registered every year with the AKC and in danger of extinction in Britain. They are the oldest of the terriers — the ur terrier if you will — the basis for most modern terrier breeds. They are big hairy dogs — 30 to 40 pounds — with the legs of a dwarf, giving them the appearance of a large eared grey and black dachshund crossed with a sheep dog. They are stubborn but intensely loyal to one owner. One, Greyfriar’s Bobby, was renowned in 19th century Scotland for guarding his master’s grave for 14 years.

Dogs break our hearts and sometimes give us our first childhood exposure to grief. We’re better for having them in our lives, and I note how my life is punctuated by one dog after another.

No one said it sadder than Pablo Neruda in his poem, A Dog Has Died

With the United States Postal Service on the verge of bankruptcy, and the kind folks at the Cotuit Post Office telling me they need my business to stay open, I write this paean to the mail of snails in the hope that one of the last best things in the world — the handwritten note — survives.

I think Guy Kawasaki once wrote that a handwritten note sent in congratulations, condolence or commiseration is infinitely more heartfelt and well received than a ephemeral email, tweet or blog comment. I was never a big thank you note writer as a kid, but for over a decade I’ve tried to do my epistolary best by keeping at least a half-dozen blank note cards and stamped envelopes in my briefcase or bag. My handwriting sucks (so I print), but it only takes a minute or so to jot down a few words that will be remembered for a far longer time.

In the late 1980s, after writing a cover story for Forbes and winning a couple prizes for it, a friend of my late father wrote me a note that said, in effect, if the old gent were alive today he’d be very proud of you and how you’ve turned out.  I don’t think any praise has meant more to me in my life. Would I have the the compassion to put pen to paper and do the same for some other young person beginning their career and finding their first success? I hope I would.

In the mid-90s Henry Kissinger wrote me a sarcastic letter in the mistaken belief I was the editor in chief of Forbes because the magazine had somehow screwed up the facts concerning him, Richard Nixon, and a bottle of wine consumed in China. I hung onto that one too.

I write on notecards I order from Merrimade, an old WASP institution that used to be based in the Merrimack Valley and was owned by one of my neighbors growing up in Andover, Mass.. They sold the company to Crane years ago, but the quality is the same, and where else can you order note cards with your name on it, or the name of your country estate with a little yacht emblem? (I am stealing the idea of naming my future country estate “Morningwood” from my pal Ham Freeman)

I send them to friends when they get promoted or take a new job, when pets or grandparents join the invisible choir, or just to say thanks for helping me out. Takes but a minute, keeps the postman employed, sticks it to the email demons and can yield tweets like this one. My favorite note of all time, courtesy of Christopher Buckley is this unprintable gem.

My friend Phil Odence has been blogging about barefoot running for well over a year, but it wasn’t until last Sunday that I found the courage to try it myself. The suggestion of another friend that I use the local ball park’s infield for a full-grass experience made me motivated to give it a try along with a recent reading of Born to Run, the story of the Tarahumara runners of the Sierra Madre who kick ass in ultra marathons running in nothing more than a huarache fashioned out of a strip of old tire.

The deal with barefoot running is this: running shoes with their gel inserts, foam padding, and other high tech advances have been murdering runners’ feet since they were introduced in the 1970s. If one subscribes to the whole paleo-movement that argues that homo sapiens has been at it for 200,000 years but ruining itself in the last fifty with processed food and too much technology, i.e. running shoes, then eating and running around like a hunter gatherer on the veldt makes some sense.

I have been easing back into running over the last nine months through the local Crossfit gym which throws in a couple running workouts every week. Rowers are notoriously bad runners, I’ve heard the act referred to as the “rower’s shuffle” by one Olympic gold medalist, but there’s no denying that a good run is not only good exercise but good practice. I suck at it, but can remember a time, probably when I was eleven or twelve, when I was actually good at it.

I took the first step towards barefoot running with the purchase of a pair of Inov8 F-Lite 230 running flats. They look a little goofy — like ballet slippers on my fat feet, but they are awesome for Crossfit.

These things are very minimalist with a mere quarter-inch of hard rubber sole between my foot and the pavement. The reasoning behind doing away with the foam and the shock absorbing principles of a traditional running shoe is two-fold: your foot needs to find the surface and padding it only delays that contact and second, all that orthotic padding causes the muscles in the foot to go soft and unused. A side benefit of Inov8′s and their hard sole is on the ergometer — serious indoor rowers have long held that padded soles diffuse the explosive power of the drive and that a rower is better off barefoot, an opinion voiced by Olympic gold medal sculler Xeno Mueller. The first bad habit to break is landing on the heels — heel strike is bad and the entire POSE and Chi running disciplines try to teach a runner to land on the front of their feet and use the elasticity of their legs to cushion the impact, not the foam in their shoes. I can’t get the hang of POSE running. You’re supposed to fall forward and increase your cadence with your heels kicking up high towards your butt. It looks goofy but I try to keep some of it mind as I flap away. This before and after video might help visualize the difference between traditional and “new” running.

I’ve logged a few miles in the Inov8′s, but on Sunday I drove up to Elizabeth Lowell Park, home field of the Cotuit Kettleers, parked, unlatched the infield gate, and started running around the inside perimeter of the field — about a quarter mile all told or 400 meters. I did ten laps, finding that as my mind got over any fears of stepping on a foreign object I started to accelerate and settle into a very comfortable pace. Being barefoot naturally forces you to land on the ball of the foot, not the heel, and I definitely felt my toes starting to dig in and flex and add some power to the stride that I don’t feel inside of an Asic or Nike.

All in all I liked it and will give it another try. I am not so sure about going barefoot on pavement, but Phil assures me it’s great as long as I start out slowly over short distances.

With my music in the cloud and freed from the tyrannical clutches of iTunes, I next turned to the question of how to make it truly portable, especially how to get it on the boat. I juiced the memory on my HTC EVO smartphone to 32 gb with a miniSD card and find that I’m running either the Amazon Cloud Player when on the household wifi, downloading stuff locally for playback on the phone when I’m in the middle of Nantucket Sound and too far away from the cell towers, or streaming from Last.fm when I’m too lazy to deal with setlists of my own stuff.

When I was a iPod person I had one of those iPod dock things — an expensive Bose thing that required a wall socket. Battery powered portable speakers are generally terrible, but the New York Times recently reviewed a bunch of wireless Bluetooth speakers and I went with David Pogue’s recommendation for the Soundmatters FoxL unit. It’s not cheap — I paid close to $200 on Amazon — but it uses a rechargeable Li-Ion battery and cranks very loud volumes when needed. Oh, and did I say it’s wireless? This means no proprietary slot connector for the iPod/iPhone, just a discoverable Bluetooth connection that I can hit with my Thinkpad, iPad, the wife and kid’s iPhones or my Android EVO. The range is decent, but anything beyond 15 feet gives it some issues.

My favorite application for the unit is to tether it to my iPad while I’m watching Red Sox games when I’m on the road in NYC. I am tired of having ear buds jammed into my ears for hours and love the freedom to prop the iPad up and just watch it like the tiny television it was meant to be.

Three weeks and I am very happy with this portable sound solution. The unit is solid, small, and very easy to set up and use. The sound is excellent. This toy is definitely moving into the category of favorite things. Now to figure out cloud music in the car and life will be complete.

This has transformed my life and ended the lives of hundred of flies. Talk about better mousetraps.

One of the great voices of American poetry and music has passed. Gil Scot Herron. This song, Winter in America, has stuck in my head since first hearing it in the 1970s.

What better way to celebrate the First of May than a day game at that “lyric little bandbox” of  a ballpark, Fenway Park, aka the Shrine?

Surviving Grady put it best:

“It couldn’t have been scripted any better in Hollywood. The aging veteran pitching well in a spot-start. The aging DH coming up with a big hit. The much-maligned reliever…never mind, Jenks still sucked. And for the finale, the struggling free agent with a walk-off RBI single to win it.”

Taking it all in with my son at my side and fresh scorebook in my lap, to quote the cliche: priceless.

Three driving trips to NYC from Cotuit over the past month has taught me the importance of a decent car iPod dock — mine having failed and degenerating into weird behavior — or a decent set of FM radio presets to keep me from going insane on the long stretches through southeastern Massachusetts, southern Rhode Island and the interminable stretch between New London and New Haven. The trip is exactly 250 miles from the village to mid-town and I can do it in four hours, rush hour traffic and late summer road construction permitting.

Phone calls cut the time the fastest, interesting how interacting directly with someone cuts the sense of time. My second preferred form of aural entertainment is podcasts (remember those?), ranging from college courses downloaded from iTunes (I tend towards history and philosophy), cycling podcasts, and geek casts like the Gillmor Gang (if I can find it as it comes and goes). With the iPod dock in bad shape, I have devolved to the radio, and this past trip resolved to take one of the band of presets and once and for all organize a series of station pre-sets to coincide with the 250 miles haul.

One thing stands clear — I am a left-side of the dial guy. Why the crap stations dominate the 100′s is a mystery, but down in the 80s and 90s live the little college stations and NPR affiliates, places where anarchy and eclecticism rule the airwaves and the advertising is nonexistent.

National Public Radio can be a good thing. And I start the trip at 5 am in the dark listening to the BBC World Update — the Economist of the ether — catching up on the suicide bombings and coups in various banana republics as read by the prickly and sometimes sanctimonious Dan Damon. WGBH — one of the oldest public radio stations in the country, has a monster signal that reaches from Boston to the Cape. The joke locally is GBH either stands for Great Blue Hill (the location of the transmitter in Milton) or God Bless Harvard because the studios are so close to Harvard Stadium in Allston. Locally, the NPR affiliate is WCAI at 90.1. I like CAI (Cape And Islands) because its general manager Jay Allison was such an early force on The W.E.L.L. in the 1980s and their local programming, particularly the local food report, is generally excellent. What I cannot abide is John Hockenberry’s The Takeaway due to their pernicious belief that adding high-tech noises to intros and outros makes the news cool.

GBH and CAI could carry me through Providence Rhode Island and beyond, but once I get to Mattapoisset and Marion I switch over to theUniversity of Massachusetts Dartmouth station, WUMD (89.3) because I love student DJs and some of the very bizarre stuff they play in the early morning hours. UMD isn’t the strongest station in the world, and catering to the local Portugese population one can find a lot of Brazilian pop which — language issues primarily — is unlistenable after a song or two. Some of the more progressive programming is interesting though.

New Bedford at sunrise is a poignant place, recalling one November morning in 1978 when I was hitchhiking from the Cape back to New Haven to make classes after a sad weekend with my father. I stood in the breakdown lane across from the crematorium in the Fairhaven Cemetary, flapping my arms in my thin denim jacket, singing “Black Throated Wind” and swigging from a pint of blackberry brandy to keep my spirits up. Years later,  over coffee at Farley’s on Potrero Hill, I told John Perry Barlow, the writer of that song, about that morning, and how a capella I had managed to make BTW my favorite Grateful Dead song, even if it had first appeared on Bob Weir’s Ace album. He was, I think, flattered.

Then I was picked up by some teenagers in a fast TransAm and had to endure some head banging music which destroyed the mood until they were pulled over for speeding in Stonington.

In Fall River, as the car crests the eternally repainted Braga Bridge, I take advantage of Narragansett Bay and the strong signal beaming up from the south from the University of Rhode Island’s station, WRIU, 90.3, where on Thursday morning the DJ played a solid hour of Les Paul’s work, delving into interesting digressions about how Les Paul did not design the famous Gibson guitar bearing his name, but lent his name to it. That was awesome, listening to Les Paul and Fred Waring, and other stalwarts of popular radio from the late 30s, 40s, and 50s, the signal getting stronger as I plowed through Providence and down the long scrubby stretch of West and East Greenwich, Exeter and South Kingstown, site of the infamous massacre of the Narragansetts in 1675 by the combined forces of the colonia militias in what is known as the Great Swamp Fight.

WRIU can be my favorite station on the entire four hour trip, but it dies in New London where a huge void opens up in the dial space as there seems to be no great station there. I need to tune into WCNI, Connecticut College’s 2000 watt transmitter on the next trip, but haven’t dialed into it as of yet.

Coming out of New London, in the space between the Thames and the Connecticut Rivers — near Lyme, famous for the tick and the disease it carries — I tune to WPKN, 89.5, the University of Bridgeport station, which is one of the oldest and most progressive public radio stations on the coast. Yesterday I was pleasantly surprised to hear Jim Motavelli, on the air as the DJ. He interviewed me in the late 90s when I was at Forbes.com in a book he wrote about the impact of new media on the traditional press: Bamboozled at the Revolution and described my “droll, preppy demeanor.” PKN was in the middle of its fall fundraiser — usually a sure repellent that has me hitting the buttons for the next non-mendicancy station.

By Stamford, with NYC just a few dozen miles away, I switch to the final station of the trip, Fordham University’s WFUV, which is another NPR affiliate that plays a ton of good music. FUV, which is based in the Bronx and has a strong transmitter, stays with me down the FDR and into whatever mid-town garage is going to take me down for $50 in parking.

I’m sure my next car will have XM radio and stay tuned to the Grateful Dead station most of the time — a predictable shame given the delights of college radio.

Okay, so the Fourth of July water fight was getting a little out of hand but the baseball team started it, or actually the EPAC Grotto’s peeing clam float started it, but that’s my theory. The local landscape company towed a trailer the size of a tennis court behind a big dump truck and loaded it with the best college baseball teams in the country. Young men at the peak of their capabilities, armed with SuperSoakers the size of Iwo Jima flamethrowers and an endless supply of softball-sized water balloons, wreaking havoc down Main Street from the Kettle-Ho to the elementary school.

Someone was sure to get hurt. Some toddler diving for a piece of penny candy was going to get crushed beneath the trailer wheels like a fanatic hurling himself under the wheels of the legendary Juggernaut. Old ladies in lawn chairs were being rudely entered into a bad wet t-shirt contest that no one wanted to judge. We had to defend ourselves, and over the years the sidewalks were lined with garden hoses, pressure washers, water cannons and the war was on, escalating to the point that finally reason had to step in and say enough.

The Cotuit Kettleers sat out the 2010 Cotuit Fourth of July parade and the village was upset.

Would we take out our aggressions on the Mason’s Mariner Lodge, and do away with a dozen old men wearing white shirts and natty little aprons? Would the librarians get it next? What could be done? The omission of the boys of summer was the talk of the counter at the post office. We were mad. A ritual had been taken away from us.

The season had already opened in early June, when snowflakes still could be imagined in the rickety wooden bleachers in the shade along the third base line at Elizabeth Lowell Memorial Park, the gem of all the Cape Cod Baseball League’s ballparks, an oasis carved out of the pines and oaks a few hundred yards away from Cotuit Bay. Was this our year? Had coach Mike Roberts (UNC Chapel Hill’s coach from 1976 to 1998 and father of Oriole second baseman Brian Roberts) recruited a dugout full of superstars? It was impossible to tell. June was a difficult month, of rosters churned by the College World Series, the Super Regionals, Team USA try outs, and even the Major League scouts knew not to come with their radar guns as the college freshmen and sophomores made the wrenching transition from metal to wooden bats. The scouts would come, trying to answer the question we all asked:

Who would be the next major league superstars? They were out there, on the dusty basepaths and achingly green outfield. We knew they were out there, every summer revealed them to us. Chase Utley. Ron Darling. Mo Vaughn. Jason Varitek. Kevin Youkilis. Nomar Garciaparra. All had once stepped up to the plate, dove for liners, fumbled and stumbled for our ticket-free enjoyment on the hallowed grounds of Lowell Park. But who were they? We wouldn’t know for a few years, not realizing that the tanned pitcher who sold us our 50-50 raffle tickets in the stands would soon be standing on the mound at Wrigley or Petco or Fenway heaving heat on national television. What was clear was how blessed we were to be living in the town with the team that had won the most championships in the country’s most prestigious amateur baseball league, the league where the best of the best came to learn how to swing wood and get noticed by the scouts.

As the season progressed one learned to pick one’s place in the bleachers very carefully, to arrive precisely 45 minutes early while the basepaths were being hosed down and the coaches spraypainted new baselines. The musical cliches of the game blared through the PA – a weird playlist of country music, jump-around fist-pumping hip hop, and hair band anthems that we wished would just stop — and we all snickered at the interns behind the microphone who mispronounced “Cotuit” and referred to Cape Cod as “The” Cape Cod. Top row, back corner, brown paper sack of popcorn from the Kettleer’s Kitchen and a bottle of Poland Springs. Layout the scorecard, fill in the teams, the date, the names of the umps, the start time, and wait for the announcer to list the lineups. A few rows down, the founder of the dynasty, Arnold Mycock, for whom the Cape Cod Baseball League championship trophy is named, dean of the scorers, always presented early with the coaches’ lineups by an intern sent from the press box. Avoid sitting near the bozos — cell phone man who loudly calls his friends and always repeats the same silly cliches “…it’s the best wooden bat league in the country …,” anyone with kids under the age of ten, the Fountain of Misinformation who plaintively repeats over and over the obvious plea to the pitcher to “Throw Strikes.”

Rise for the National Anthem, cap over heart, as Nicky Chevalier takes the microphone out to home plate and we all look out to centerfield, the maroon (or is it Cranberry) uniformed Kettleers standing in a long line in front of their dugout, everyone’s eyes on the flag waving flaccid in the summer southwesterly breeze.

Play ball.

The pitcher superstitiously skips over the third baseline on his way to the mound. The umps and coaches swap line ups at home plate. The announcer reads the same script he’ll read at every game. The first pitch it thrown out by some account manager from Wells Fargo Private Wealth Advisors LLC. Their picture is taken with the catcher, they are handed the ball as a souvenir, the only one that will be given out as balls are too precious to give away blithely like they are in the majors. Shag a foul ball and return it to the red tent for a coupon to the Kettleer’s Kitchen.

And so it goes for 22 home games. The same routine, the same script, the same vista, the same rules, the same nine innings. But the players are all new. Few ever return for a second season. Yet instantly they become Our Team, their names gradually memorized through rote and repetition until they are as familiar as nephews at a family reunion.

Would this be the year? Cotuit hadn’t won the champs since 1999 and Coach Roberts didn’t have a title on his mantle yet. Bandy legged from years of hitting of swinging a fungo bat during batting practice, he gamely rises from the dugout and takes his place before us in the third base coach’s box, semaphoring hand signals and truly coaching his new charges in the art of Roberts Small Ball, a game of bunts and steals, and devious tricks like the mythical Hidden Ball Trick. His temper is wonderful to behold, a mixture of ferocious indignation and bewilderment over the genetic stupidity of umpires and the appalling rudeness of the visiting team’s fans, all philistines who should know when to sit down and shut up in the presence of his righteousness.

My scorebook gradually fills with the record of games won and lost. Exclamation points cryptically marking moments of greatness, moments uncaptured on film, lost in a park with no replay, no statisticians, no grotesque mascot dressed like a kettle. Sweat stains mark the heat waves. Mustard the hot dogs. Every page has a dogeared greasiness from the popcorn butter.

The girls in their summer clothes parade back and forth behind the dugout trying to catch a ballplayer’s eye. Vacationing bozos in Yankee caps self-consciously preen. Every foul ball into the parking lot where only a fool would park is greeted with a warning of “Heads Up!” and cheers as yet another windshield gets smashed with a spidery thunk and the line at the snack bar cowers and holds their hands over their heads.

The sailors from the yacht club arrive in the fourth inning, salt stained, barefoot and sunburned. “What’d I miss?” they ask. And I dutifully read back the highlights from the scorecard. “Bushyhead lined to third into a double play. Coach intimidated the visiting Meat into a balk. Yaz hit a dinger to center. And there’s a yellow jacket nest behind the the bathrooms that just attacked a herd of anklebiters and made them cry.”

The lack of a parade concerned us. Would it cast a dark cloud of bad luck on the home team?  Cotuit baseball fans fight all change. “The day they install lights is the day I stop coming.” But no parade? It was wrong. Something would happen and it wouldn’t be good.

It did happen. And it was good. Yesterday the Kettleers won the championship in a beautiful post-season run that saw them sweep their way into the finals against the Yarmouth-Dennis Red Sox. I missed it, obligated to attend a meeting, but the game played on my phone, a little window of video that suddenly saw a flood of cranberry colored uniforms rush the mound, silent with the audio muted, a clutch of bouncing hopping happy young men surrounding a weathered coach with tears in his eyes.

There won’t be any parade this year. In the 70s, when the Kettleers won a consecutive string of championships, the fans would drive up and down Main Street for an hour blaring their car horns. But last night the village was quiet, chilled with a harbinger of the fall to come, silent except for the emerging crickets.

There won’t be any parade this year. The players have scattered back home or back to college. Soon the Volvos and Range Rovers will file out of town, pink children’s bikes on their racks, back to what seems to be an earlier and earlier start of school every year. The skiffs will be hauled. The yacht club dock dismantled and stacked in the bushes. And the town will go quiet for nine months, waiting for them to return.

I’ve quoted it before, but I must quote it again, Bartlett Giamatti, late President of Yale, former commissioner of baseball, quoted in this summer’s baseball sermon by my friend (who also has sadly moved away) the Reverend Jeremy Nickel, quite possibly the saddest obituary of summer and baseball that I know:

“ [Baseball] breaks your heart. It is designed to break your heart. The game begins in the spring, when everything else begins again, and it blossoms in the summer, filling the afternoons and evenings, and then as soon as the chill rains come, it stops and leaves you to face the fall all alone. You count on it, rely on it to buffer the passage of time, to keep the memory of sunshine and high skies alive, and then just when the days are all twilight, when you need it most, it stops.”

The Tour de France kicked off yesterday — I watched the Rotterdam prologue off the Tivo last night — and caught Lance’s solo ride through the streets with mixed emotion, caught up the explicit allegations of doping leveled against him by his disgraced former lieutenant, Floyd Landis.  I have been a cycling romantic since the 1970s, when the movie Breaking Away inspired me to take my grandmother’s college graduation present and convert it into a classic Raleigh 12-speed racing bike that I rode all around New Haven and Cape Cod in a pair of sneakers and gym shorts. It was the European mystique of the sport, the wonder of what I think is arguably man’s most noble form of transportation, the sensation of flying down the rolling hills of the mid-Cape that addicted me to cycling forever.

In 2004, when Lance won the Tour, I was inspired to get back into cycling with a vengeance, pouring thousands of dollars into the helmets, shoes, gruppos I was ignorant of in the 1980s. Soon I was putting in hundreds of miles per week, hauling myself around the back roads of Cape Cod with my friends.

That all ended over Memorial Day weekend in 2006 when I was hit head on by a car and absolutely destroyed myself in a disastrous crash. So ended my cycling, forbidden by a wife unable to think about me out there in harm’s way, a would-be organ donor at the mercy of every teenage drive texting away behind the wheel.

Yet still every July I tune into the dulcet tones of Phil Liggett and Paul Sherwin calling the most extraordinary athletic contest in the world, one so brutal that yes, indeed, to survive the riders turn to testosterone patches, EPO, and blood transfusions.

And yes, I remain in awe of Lance, his comeback, his survival, his fighter’s spirit. It’s just very sad to see him in this, his last Tour, saying his farewell to a sport he transformed under the damning cloud of Landis’ specific and detailed allegations.

I don’t know if I will watch again after this.

In the 1970s I remember seeing ads on Manhattan buses for Cynar, the Artichoke Apertif. Big garish Mussolini typography with an alien looking artichoke on the label. “Who in their right mind would drink artichoke liquor?”

A couple years ago, while dining with master ThinkPad designer Richard Sapper, he mentioned his preference for a taste of Cynar. I asked the waiter who was totally confused and eventually went to the bar and asked the bartender if he had any.

“Arti-what?” he asked.

It's good for you

As an ex-bartender in the alcoholically sophisticated bar-city of San Francisco, I was exposed at an early age to some weird stuff like Fernet Branca (easily one of the more strange digestifs) and 150 proof Chartreuse. But never had I tasted Cynar until last month in Italy while on Dave’s Excellent Adventure. I’m a total addict now, and even persuaded a highly skeptical companion that it was indeed, when served with soda and a slice of orange, one of the lbetter things in a glass after a long day of marching through Tuscan hilltowns or thwarting the amorous advances of psycho street mimes.

It’s made by Campari, who makes all sorts of Italian goodness, but I haven’t seen a bottle on a liquor store shelf… ever. I guess I could special order it, but for now I have a bottle I brought back with me.

Here’s some good recipes over at Chowhound that utilize Cynar.

“To conclude my weekend of day trips, I saved the best for last- Cinque Terre. Possibly the prettiest place I have ever seen. I woke up at 6:30, got onto the train at 7:20, and arrived at the Italian Riviera at around 10:00. I had no plans and no expectations, I heard about a 5 hour walk that went through all five towns, and I was sold.”

My daughter is finishing up a term in Florence. Her blog has been a surprise to me. So, excuse the proud father thing. I’m headed over there the last two weeks of May to let her show me around.

via Cinque Terre « B in Italy.

I settled in for the 14 hour haul with some massive reading and viewing. I never sleep on long hauls — small naps and moments of narcolepsy aside — and so I need tons of mental stimulation.  It all begins with packing:

Hardcopy: this is paper-based reading for those non-electronic device moments the airlines are so fond of dogmatically imposing. Why a Kindle can’t be used during taxiing is beyond me. But I am not going to argue with the Man.

• Sunday New York Times. $6 at the Hudson News in Terminal C. I repeat: SIX DOLLARS.
• Ten back issues of a newsletter from a Club that shall not be named that I am a guest of this summer for a few days
• Saints and Strangers: Being the Lives of the Pilgrim Fathers & Their Families, with Their Friends & Foes; & an Account of Their Posthumous Wanderings in Limbo, Their Final Resurrection & Rise to Glory, & the Strange Pilgrimages of Plymouth Rock, by George Williston, the best account of the Pilgrims I have read yet beyond Bradford, Mourt’s Relation and Nathaniel Philbrick.

Digital: Kindle primarily – working through William Vollman’s excellent World War II novel, Europa; the New Yorker, and a ton of other texts. I downloaded War & Peace for a re-read. Lots of Kindle usage going on in United business class from Chi-to-PEK. Saw one poor soul start off the trip with a new Apple iPad in his hands. He made sure everyone knew he had one. By Siberia the guy had a massive case of arm fatigue and was trying to prop the sucker up against something. I pitied the fool. Spied another iPad in a guy’s dutyfree bag going through immigration at PEK.

Video: loaded up the ThinkPad with some in-flight viewing. The video screens on the plane are super small, but I suffered through a historical costume drama, The Young Victoria then abandoned the in-flight options and went to my own library. Big surprise was The White Ribbon, Michael Haneke’s winner of the Palm D’Or at Cannes in 2009. Amazing, amazing movie set in pre WW-I northern Germany.

After that I started a Kurosawa flick about a bureaucrat with stomach cancer …. but that got old and I dove into the Willison’s excellent history of the Pilgrims, which had my attention all the way into Beijing.

All in all, I love flying only because I can get a ton of reading and viewing in. Sure, out of guilt I do a little work, but for the most part it’s just a lot of reading and watching, about the only such non-interrupted stint I get these days.

My father accidentally introduced me to Barry Hannah in the mid-70s when he bought Hannah’s first novel, the Faulkner award winning Geronimo Rex. For some random reason I read it — we never discussed the book, my father never recommended it or even mentioned it, it just appeared on a shelf in the bookcase and I read it.

It is one of a few books which makes me laugh out loud, a book I push on people to read over and over as one of the most wickedly funny examples of Southern American writing ever penned.  A tale of coming of age in 1960s Mississippi, it actually more like Animal House on paper — a very sophomoric story of three misfits rooming together off campus at Ole Miss.

In 1977 I was accepted into a writing class taught by Gordon Lish, fiction editor at Knopf and short story editor at Esquire. He championed the new wave of post-modern writers like Don DeLillo, Raymond Carver, and Hannah. In one of the first classes he handed out copies of Hannah’s amazing short story anthology, Airships and read out loud the extremely short story, “Coming Close to Donna.” I was captivated.

Barry Hannah never broke out as a best selling author, nor did he go on to achieve great things like others of his generation. But he did write beautifully, crafting his sentences with the precision of a Haiku. He was earthy, his humor was located south of his belt, but he was entertaining as could be. I loved his writing.

I walked most of the eastern shoreline of Cotuit yesterday, breaking the hike into three sections. One at 7 am. One at lunch, and the last in the late afternoon around sunset. All told I covered six and half miles of mostly sand, with some Main Street pavement mixed in. The dogs accompanied me for half of the distance, their favorite thing in the world is a beach walk. Indeed, all I have to say to them is “Do you want to …..?” and they start bouncing off the furniture and assault each other in anticipation.

The new camera is a nice thing to bring along, especially its high definition video capabilities. I find myself very fond these days of Flickr’s video hosting for two reasons: the Flickr uploader application bundles the videos on the camera up with the still pictures so I don’t need to upload stills to one place and videos to YouTube; and second, Flickr is not normally blocked in China or Turkey — two places where YouTube is dead.

First, a video of some Canada Geese exploding off of the marsh when I surprised them at Handy’s Point. Good thing Captain Sullenberger was not on the ascent in the neighborhood.

I started at the town dock right at sunset — which at the start of this week at this latitude is 5:15 pm. By Sunday it will be 5:31 — so we’re gaining two minutes of daylight every day now. There’s still ice in the harbor — it comes and goes depending on the wind and temperature. This sheet stuck against the town dock makes an interesting ringing sound as the waves wrinkle underneath it.

Then along the beach to Lowell’s Point. Above is the abandoned home of the former president of Harvard, Abbot Lawrence Lowell, also known as the arbitrator in the Sacco-Vanzetti case early in the last century.  The cement sea wall and old wooden groins are disintegrating.

Then along the shore to the boat ramp at the foot of Old Shore Road, where this old sign warns people not to anchor on the submarine cable that runs across the bottom of the bay to Grand Island.

My father always advised setting the mooring of the family boats to the south of the cable, in the belief that in a blow they would drag through the black mud and fetch up and hook onto the cable. So much for warning signs. I think the old man was right though. Stay to the south of the cable.

Then around the fresh water springs at Hooper’s Landing where Conrad Geyser proves the best use for an O’Day Daysailor is to be reborn as a clamming catamaran named the Thermoplayae.

The rest of the walk is smooth sailing down the broad sands of the yacht club beach to Handy’s Point. Ducks cruise along, the winter sticks on the moorings look like crosses in a military cemetery, and critters rustle in the underbrush under the bluff. The dogs get freaked out by something at the same place along the beach. I think a coyote must have killed something there  because they sniff at the spot and then cling to me like something bad is going to happen.

Handy’s Point is where my great-great-grandmother used to live, before she sold the place to be closer to the village in the winter. Can’t blame her, husband at sea, infants, big drafty house on the beach. Her descendants may wish for the view, but the salty old timers wanted nothing to do with the beach. That’s where bad things happened during storms and where the lower class clammers and watermen made their livings.

I find myself needing beach time more this time of year than the middle of summer. It’s just me and the dogs and no pissed off waterfront property owners, few ticks, and a vacant harbor to gaze out on.